The initial impulse that gave birth to TELEFANTE (a collaboration
between Luis Negrón and Juan Orozco) in 2005 came from the desire to
assemble an optical apparatus that could be played live. In a kind of
post-Dadaist procedure, TELEFANTE unites the physical, formal space
(actio) and the numerically generated space (projectio), giving their
images a kind of timeless touch – while performing somewhere between the
magic of the projected image and the slippery present of improvisation.
Luis Negrón van Grieken (TELEFANTE) in Shiny Toys Festival 2016
17.12.2016, 19:00 Ringlokschuppen Ruhr Mühlheim a. d. Ruhr
SHINY TOYS is a unique festival for
auditory, visual and audio-visual art held annually in Germany’s
Ruhrgebiet area. In November 2016, a full line-up of extraordinary
artists will present works that explore the cadence and rhythm of our
time. Shiny Toys aims to juxtapose, to connect, to challenge and to
surprise. The various activities set to play out over the course of the
festival weekend guide the rhythm of the exhibition, set the tempo and
exert an influence on the spaces in which they take place, coming
together as a whole to create a temporary bubbling hub for interaction
between diverse artistic disciplines in various aggregate states.
The initial impulse that gave birth to TELEFANTE (a collaboration between Luis Negrón and Juan Orozco) in 2005 came from the desire to assemble an optical apparatus that could be played live. In a kind of post-Dadaist procedure, TELEFANTE unites the physical, formal space (actio) and the numerically generated space (projectio), giving their images a kind of timeless touch – while performing somewhere between the magic of the projected image and the slippery present of improvisation.
The initial impulse that gave birth to TELEFANTE (a collaboration
between Luis Negrón and Juan Orozco) in 2005 came from the desire to
assemble an optical apparatus that could be played live. In a kind of
post-Dadaist procedure, TELEFANTE unites the physical, formal space
(actio) and the numerically generated space (projectio), giving their
images a kind of timeless touch – while performing somewhere between the
magic of the projected image and the slippery present of improvisation.
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