Time-piece is based on a six-meter-long structure of honeycomb paperboard. Dried plants, a stone, needles, erasers, wine corks, a metallic brush and cable-ties are combined with electronic devices. Those small motorized objects make subtle sounds by touching the cardboard in their different ways. Each sonic movement slowly changes by time due to a gradual decline of batteries and gains a new rhythm after the power supply changes. This sounding dynamics are contrasted by the visual linearity. To arrange and combine the mundane with the electronic, especially using the batteries, is inspired by the film Le Bonheur(1965) which questions individual role and social function in terms of family dynamics, as Agnes Varda, a director of the film, mentioned, “Each of us is unique but replaceable. If a woman fulfills her functions as a wife, mother, cook, and gardener, the family does well. Every woman may discover her identity, her talent and her place but she is replaceable insofar as she fulfills her social function.”
Mitarbeit:
Idee und Realisation: Hye Young Sin
Autor/innen:
Hye Young Sin
Eine Produktion der Kunsthochschule für Medien Köln
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