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The initial impulse that gave birth to TELEFANTE (a collaboration between Luis Negrón and Juan Orozco) in 2005 came from the desire to assemble an optical apparatus that could be played live. In a kind of post-Dadaist procedure, TELEFANTE unites the physical, formal space (actio) and the numerically generated space (projectio), giving their images a kind of timeless touch – while performing somewhere between the magic of the projected image and the slippery present of improvisation.

Luis Negron van Grieken (TELEFANTE) in Shiny Toys Festival

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TELEFANTE performing at Festival Shiny Toys 2016
17.12.2016
Ringlokschuppen Ruhr
Mühlheim an der Ruhr
The initial impulse that gave birth to TELEFANTE (a collaboration between Luis Negrón and Juan Orozco) in 2005 came from the desire to assemble an optical apparatus that could be played live. In a kind of post-Dadaist procedure, TELEFANTE unites the physical, formal space (actio) and the numerically generated space (projectio), giving their images a kind of timeless touch – while performing somewhere between the magic of the projected image and the slippery present of improvisation.
SHINY TOYS is a unique festival for auditory, visual and audio-visual art held annually in Germany’s Ruhrgebiet area. In November 2016, a full line-up of extraordinary artists will present works that explore the cadence and rhythm of our time. Shiny Toys aims to juxtapose, to connect, to challenge and to surprise. The various activities set to play out over the course of the festival weekend guide the rhythm of the exhibition, set the tempo and exert an influence on the spaces in which they take place, coming together as a whole to create a temporary bubbling hub for interaction between diverse artistic disciplines in various aggregate states.
The initial impulse that gave birth to TELEFANTE (a collaboration between Luis Negrón and Juan Orozco) in 2005 came from the desire to assemble an optical apparatus that could be played live. In a kind of post-Dadaist procedure, TELEFANTE unites the physical, formal space (actio) and the numerically generated space (projectio), giving their images a kind of timeless touch – while performing somewhere between the magic of the projected image and the slippery present of improvisation.
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