Vorlesungsverzeichnis

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Vorlesungsverzeichnis Sommersemester 2026

The only ______ sound system is a Soundsystem: Word-Sound-Power as fundamental to transdisciplinary anteaesthetics and meaning-making

Contemporary Art/ Global South

Typ:
Fachseminar
Semester:
SoSe26
Zielgruppe:
Hauptstudium / Diplom 2
Max-Teilnehmer:
15 (first come first serve)
Sprache:
English
Voraussetzungen

Since the seminar is ongoing since Winter Semester, participants of Winter Semester 2025/26 are a priority.

New participants are required to submit a brief motivation.

Seminar language: English

Registration: By 16th March 2026 to: rangoato.hlasane@khm.de

Termine - Ort & Zeit

TypAnfangEndeTagTurnusvon-bisOrt
15.04.2608.07.26MittwochWöchentlich14:00 - 17:00Filzengraben 2a, Atelier 2 / room 2
Typ
Anfang15.04.26
Ende08.07.26
TagMittwoch
TurnusWöchentlich
von-bis14:00 - 17:00
OrtFilzengraben 2a, Atelier 2 / room 2

Beschreibung des Seminars

What is a sound in the language of your dreams? Mine is modumo (with its sibling mošito that means ‘beat’, ‘footstep’, ‘rhythm’…). The root term ‘duma’, in Sesotho exists simultaneously as ‘wish’ and ‘desire’ in English, while homonymously meaning ‘rumble’, ‘thunder’ and ‘drone’. On its route, it riffs to dumediša and dumedišana: ‘greet’ and ‘greet each other’ respectively, an invitation to a call and response. Dumela will then interject: ‘Hallo!’, ‘Hola!’ ‘Thobela!’ and so on and so forth, while its homonym suggests an ‘agreement’ or a ‘belief’. Dumelela, on the other hand, evokes the foreboding notions of power and authority as it means to ‘allow’ or grant a ‘permission’


The seminar considers the everyday, quotidian presence of sound/music as fundamental sensibility to collective study, with a boundless capacity to “keep it moving” or “make things happen”. Sound as a path-breaker. Over two semesters, students will build a shared/communal soundsystem from scratch, accompanied by individual and/or experimental publications (think user guide/manual) that grounds the shared/communal soundsystem, engaging the question: what problem/s does this soundsystem have with the System?


Always with due respect to the Caribbean roots of soundsystem (in part a vital response to exclusion of Jamaicans in broadcasts), the seminar invites students to collectively analyse and respond to systemic-oppressive systems by imagining the potentialities of radical, joyful and rebellious inclusion promised by a soundsystem today, now, here and elsewhere.


While the home for the seminar is Room 2 the making of the soundsystem and all facilities and infrastructure that KHM has to offer. Most importantly, the seminar will engage, and make use of the world outside KHM through multiple modalities excursions including but not limited to crate diggin’, festivals, recording studios, archive homes/centres, cinema, the streets…


Collective outcome: A shared, functional, mobile and sustainable soundsystem

Individual and or sub-collective outcomes: RISO+ publications


Since the seminar is ongoing since winter semester, new participants are required to submit a brief motivation that indicates your gravitation towards our sound system. Your motivation can take the form of conventional text, or employ any form of creative impulse.

Please email the motivation to rangoato.hlasane@khm.de by 16th March 2026.

Studienbüro

Studienbüro

Karin Cordes

Juliane Schwibbert

Claudia Warnecke

Heumarkt 14, 50667 Köln

+49 221 20189 -194 / 119 / 187 / 249
Fax +49 221 20189 - 49249
studoffice@khm.de


Öffnungszeiten:

Montag + Dienstag von 10 - 13  Donnerstag von 10 - 16 Uhr

Anfragen oder Termine sind auch telefonisch, Mo - Do 9:30 bis 13:00 Uhr, möglich oder per E-Mail


Wintersemester 2025/26

Vorlesungszeit:
20.10.2025 bis 13.02.2026


Sommersemester 2026

Vorlesungszeit:

13.04.2026 bis 24.07.2026


Wintersemester 2026/27

Vorlesungszeit:
12.10.2026 bis 05.02.2027

Winterpause:

21.12.2026 bis 01.01.2027


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