Memory transcends the linearity of time by freezing events into external artefacts, whether they are utilitarian objects or memorials. Embodying memoirs and self-identity in a path or an object, memory may appear in the most unexpected ways. Revolving time keys is a formation of four works and uses a space divided into two distinct rooms. In the first room three works are presented, whilst in the other, just the one. This intended asymmetry aims to stress the individual position towards one’s own past and the individual relation to time alongside the convention of time counting.
Betreuung:
Prof. Andreas Henrich, Prof. Dr. Peter Bexte, Olivier Arcioli
Autor/innen:
Daphné Keramidas
Eine Produktion der Kunsthochschule für Medien Köln
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