arte (pieces) /////////////////
news /
“Diskrete Algorithmen.” Die Geste des sichtbar Machens. Mögliche Objekte (zum Sehen) anhand von Motivationen (des Erkennens) und (aktuelle) Techniken der Emergenz An article on the gesture of visible-making for Nebulosa – Zeitschrift für Sichtbarkeit und Sozialität, Heft 01/2012 Wahrnehmung und Erscheinen, edited by Eva Holling, Matthias Naumann, Frank Schlöffel. Berlin: Neofelis Verlag. http://www.neofelis-verlag.de
SIGINT 2012 SIGINT conference organised by Chaos Computer Club e.V. in KOMED building Cologne, Germany, running May 18th to 20th 2012. Opening of the art presentation Friday 18th at 10 p.m. Participating artists: Eka Bibileishvili, Malgorzata Calusinska, Vera Drebusch, Florian Egermann, Julia Scher, Susanna Schoenberg, Christian Sievers. http://sigint.ccc.de/
“What Can a Body Do?” Praktiken und Figurationen des Körpers in den Kulturwissenschaften, Campus Verlag In den letzten Jahren wurde der Körper zum zentralen Thema in den Kulturwissenschaften. Ausgehend von der Wendung "What can a body do?" werden in diesem Band sowohl Praktiken (also Handlungs- und Herstellungsweisen) als auch Figurationen (also materialisierte Formen) des Körpers in den Blick genommen. Herausgegeben von Netzwerk "Körper in den Kulturwissenschaften". http://www.campus.de/
“blind spots: Some strategies of how to deal with the open” / 2012-03-12 / EESI, Poitiers / The lecture refers to the function of order and disorder in art, to the material and immaterial aspects of cognition and shaping, and to the (aesthetic) experience with the open. Martin Heidegger should have stated: Even the lark (l'alouette) is not able to see the open". It collects fragments of reflections on the methodology of a possible aesthetic research, quoting from some European philosophy, applied scientific methodology, and artistic practice. What the frog's eye tells its brain, when it detects a bug, and why is it necessary that we do not see our blind spots, and how computed detection and some self-blinding practice are used in art–these are some of the questions the lecture will apply to channel the narrative.
re-active follow-up / 2011-12-16 / opekta, Cologne / online under: http://www.re-activeplatform.de/ / presentation of the documentation and catalogue 2011; with Andreas Walther, Kathrin Friedrich and a performance by Ji Hyun Park
returnable / 2011-11-27 to 29/ paesemuseo, San Sperate, Italy / online under: http://www.paesemuseo.com/ / an interventional format curated by Susanna Schoenberg, with Malgorzata Calusinska, Martin Rumori, Dirk Specht, Franziska Windisch; a production for Noarte 2011, with officinevida and Paidia Institute
re-active platform / 2011-10-08 / MOCA Museum of contemporary art Taipei / MOCA online under: http://www.mocataipei.org.tw / videostill, sensors gesture, 2011
Blind Spots / 2011-07-26 / Weather Tunnel / TransLife Triennial of Media Art Beijing / TransLife online under: http://mediartchina.org/
EXTERIOR Ebertplatz / 2011-06-03 / Padiglione Italia nel Mondo / Arsenale, Biennale di Venezia / photographs: jahn hoehe. Interno Veneziano online under: www.livestream.com/arte_e_parte.
