
Prof. Anthony Moore
Professor für Musik/Klang/Geräusch
Wissenschaft
Anthony Moore (1948) composer, media artist and professor at the Academy of Arts (KHM) Cologne in the department of Art and Media Sciences, where
he works on the theory and history of sound. Co-writer with Pink Floyd during the recording of two albums, working on concepts and lyrics; composer of television opera 'Camera'; Polygram recorded three albums of his work, 'Cloudland Ballroom', 'Secrets of the Blue Bag', 'Reed, Whistle & Sticks'. Initially professor for Auditive Design in the Media and head of the Music Department; 2000-2004 elected Principal of the Academy in Cologne. Founder of sound events and symposia, 'per->SON' and 'Nocturnes'. Besides lecturing he continues to write and compose.
"Transactional Fluctuations 1 (towards an encylopaedia of sound)" in: "Variantology 3; On Deep Time Relations of Arts, Sciences and Technologies" Siegfried Zielinski & Eckhard Fürlus, Verlag der Buchhandlung Walther König, Köln 2007.
"Aromatic Vapours Tuning and Measurement in Greek and Chinese Antiquity" in: "Media before Media, Übertragung, Störung, Speicherung bis 1700", Friedrich Kittler & Ana Ofak, Wilhelm Fink Verlag München 2006.
"The Musical Yardstick", in: Siegfried Zielinski & Silvia M. Wagnermaier, "Variantology 1; On Deep Time Relations of Arts, Sciences and Technologies", Walther Koenig Verlag Cologne 2005: P. 185-195.
"Electricity that shines into the light", in: Peter Berz, Annette Bitsch und Bernhard Siegert, "FAKtisch" (festschrift für Friedrich Kittler), Wilhelm Fink Verlag München 2003: P. 193-199.
"Vox per->sonare", a lecture duetto in eight parts, published in: Cornelia Epping-Jäger/Erika Linz (Editor), "Medien/Stimmen" DuMont Verlag Cologne 2003: P. 282-298.
"Hommage to Pink Floyd", in: Friedrich Kittler, Thomas Macho and Sigrid Weigel, "Between Noise and Enlightment", Akademie Verlag Berlin 2002: P. 371-376.



